Rotoscope & Extraction
Fine hair, motion blur and stereo mattes with production-ready spline work.
- From
- Custom bid
- Turnaround
- Fast turnaround
Ways to work together
Every production is different. We build a bid around your shots, complexity, and delivery requirements.
Production supportNo. 00481
Music Video
One track, one strong idea
from$8,000
- Treatment and casting
- One shoot day, crew of 8
- Edit, grade and sound
- Vertical teasers
Production supportMost booked
Commercial
A hero spot and every cut-down
from$25,000
- Script and treatment
- Two shoot days, full crew
- Hero film and 6 cut-downs
- Color grade and sound mix
Production supportNo. 00555
Documentary
A true story, told properly
from$40,000
- Research and access
- Up to 12 shoot days
- Editor from day one
- Festival-ready masters
Quotes and schedules are tailored to the agreed project scope.
Built around your production10
Scroll to roll the credits
ProductionsFeature Films
Television
Commercials
Music Videos
CollaborationYour Brief
Shared Goals
Connected Teams
DeliveryClear Scope
Agreed Milestones
Reviewed Shots
Questions
Straight answers to help you prepare your VFX brief.
INT. BOSS VFX STUDIO — PRODUCTION
- How much does a commercial cost?
- Most of our spots land between $25k and $120k, depending on shoot days, cast and locations. After a short call we send a treatment and a fixed budget.
- Do you only work with big brands?
- No. We make music videos for independent artists, films for startups and documentaries for non-profits, as well as campaigns for global brands.
- Can you work with footage we already have?
- Yes. Our post-production team edits, grades and mixes footage shot by anyone, and can add pickup shoots where needed.
- Where do you shoot?
- We are based in Los Angeles and shoot anywhere. Recent jobs took us to Utah, Portugal, Lagos and Tokyo.
- How long does a project take?
- A music video usually takes three to five weeks, a commercial four to eight, a documentary three months or more.
- Who owns the footage?
- You do. We hand over masters and project files at the end, with the usage rights agreed at the start written down.
- Do you help with festivals and distribution?
- Yes. We plan festival strategy, prepare DCPs and deliverables, and introduce films to distributors and streamers.
- What cameras do you shoot on?
- Whatever serves the film: ARRI, Sony Venice, RED, 16 mm or a phone. We own a core camera package and rent the rest.